Tempo - Perdido

: The recurring declaration " Somos tão jovens " (We are so young) serves as both a comfort and a reminder of the fleeting nature of life.

: The track features a characteristic post-punk atmosphere with a driving bassline and melodic, "floating" guitar work by Dado Villa-Lobos. Tempo Perdido

: Russo originally envisioned an acoustic ending featuring sounds of wind, campfire, and waves to transition into the second side of the album. Legacy and Impact : The recurring declaration " Somos tão jovens

The song is a profound reflection on the passage of time and the human condition: Legacy and Impact The song is a profound

"" (Wasted Time) is a seminal track by the Brazilian rock band Legião Urbana , released on their 1986 album Dois . Written by lead singer Renato Russo , the song evolved from an earlier composition titled " Gente Obsoleta " and incorporated verses from another unfinished work called " 1977 ". Lyrical Themes and Narrative

: Critics often describe the sound as dense and atmospheric, capturing a sense of both melancholy and hope.

: The opening lines, " Todos os dias quando acordo / Não tenho mais o tempo que passou " (Every day when I wake up / I no longer have the time that has passed), establish a theme of constant loss balanced by the potential of the future.

: The recurring declaration " Somos tão jovens " (We are so young) serves as both a comfort and a reminder of the fleeting nature of life.

: The track features a characteristic post-punk atmosphere with a driving bassline and melodic, "floating" guitar work by Dado Villa-Lobos.

: Russo originally envisioned an acoustic ending featuring sounds of wind, campfire, and waves to transition into the second side of the album. Legacy and Impact

The song is a profound reflection on the passage of time and the human condition:

"" (Wasted Time) is a seminal track by the Brazilian rock band Legião Urbana , released on their 1986 album Dois . Written by lead singer Renato Russo , the song evolved from an earlier composition titled " Gente Obsoleta " and incorporated verses from another unfinished work called " 1977 ". Lyrical Themes and Narrative

: Critics often describe the sound as dense and atmospheric, capturing a sense of both melancholy and hope.

: The opening lines, " Todos os dias quando acordo / Não tenho mais o tempo que passou " (Every day when I wake up / I no longer have the time that has passed), establish a theme of constant loss balanced by the potential of the future.