: The story ends with the Moon claiming the child; when the Moon is full, the child is happy, and when it wanes to a crescent, it is to serve as a cradle for the crying baby. Critical Reception
: The song helped cement Brightman’s status as the world's best-selling soprano, particularly in international markets where her ability to sing in multiple languages (including this track’s original Spanish) was highly valued.
: She glides between tender, pop-inflected verses and powerful, high-soaring operatic choruses.
The song recounts a tragic Romani legend about a woman who makes a deal with the Moon to find a husband.
: The production, led by Frank Peterson, is described as "gauzy and moody," using traditional orchestral arrangements blended with ambient sounds to match the song's mythological theme. Narrative & Legend