Arthur began to draw. He didn’t start with a point or a line, but with an . He took two vectors,
, and instead of forcing them into a "cross product" that spat out a third, artificial vector, he followed Clifford’s ghost. He multiplied them:
He didn't sleep. He spent the night redefining the Dirac equation. He watched as the complex spinors of particle physics—usually treated as abstract entities in a Hilbert space—revealed themselves as simple rotations and dilations in physical space. The electron wasn't vibrating in some hidden dimension; it was dancing in the one Arthur stood in.