In the context of Valeria Luiselli's novel Los ingrávidos (Faces in the Crowd), the idea of living "entre fantasmas" serves as a central poetic of memory . Luiselli uses the "ghost" not as a supernatural element, but as a structural device to link different timelines and geographies—specifically contemporary New York and the Mexico City of the past.
Beyond specific titles, "entre fantasmas" often refers to the liminal nature of disappearance and historical memory in Argentina and Spain. Entre Fantasmas
"Entre Fantasmas" is a concept that appears across various literary and artistic contexts, most notably in the critical analysis of work and Anadeli Bencomo’s examinations of Mexican chronicles. In the context of Valeria Luiselli's novel Los
: The ghostly representation of the desaparecidos serves as a way for survivors to process trauma. These "ghosts" lurk in obsessive thoughts and dreams, evidencing the lack of closure in a state where a body is never found. "Entre Fantasmas" is a concept that appears across