Above -

In its most literal sense, "above" defines our relationship with the vertical world. From the canopy of a forest to the vast expanse of the atmosphere, the space above us has historically been a source of mystery and survival. For early civilizations, the movements of the stars and the behavior of the weather—elements clearly "above"—dictated agricultural cycles and navigation. Even today, the physical "above" represents the final frontier: outer space. Our drive to send satellites and humans into the cosmos is a testament to the innate human desire to conquer the vertical limit. Hierarchy and Social Power

Metaphorically, "above" is the primary language of power. In social and organizational structures, those "above" hold authority, oversight, and a broader perspective. We speak of "higher-ups" and "top-tier" positions, equating verticality with value and merit. This linguistic connection suggests that to be above is to be better, more capable, or more deserving of influence. Conversely, this hierarchy can create a disconnect; those at the top may lose sight of the "ground-level" realities of those below them, turning a spatial metaphor into a social barrier. The Spiritual and Transcendent In its most literal sense, "above" defines our

To look "above" is an act of both observation and ambition. It defines our physical boundaries, our social ambitions, and our spiritual hopes. Whether we are gazing at the stars or climbing a corporate ladder, "above" remains the ultimate symbol of the unattainable and the ideal—a constant reminder that there is always something greater than where we currently stand. Even today, the physical "above" represents the final

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23rd Loop Festival, “Miratges Mirages”
Maria Walsh
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Irma Hünerfauth
Isabelle Bucklow
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Nairy Baghramian’s “nameless”
Kirsty Bell
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Willem de Rooij’s “Valkenburg”
Jörg Heiser
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14th Taipei Biennial, “Whispers on the Horizon”
Adeline Chia
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John Berger’s A Seventh Man
Nicholas Gamso
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